Virtual Interiorities,co-authored with Kate Geck and Andy Miller, in Interiority Journal, Vol. 6, No. 2, 2021

Irremediability: On the Very Concept of Digital Ontology,co-authored with Justin Clemens, in Digital Existence: Ontology, Ethics and Transcendence in Digital Culture, Amanda Lagerkvist, ed., Routledge, 2019

"They go there, not because it is easy, but because it is hard": Lucy McRae, The Future is Fleshy, in Lucy McRae Body Architect Catalogue, Simone LeAmon, ed., National Gallery of Victoria, 2019. ISBN: 9781925432718

Actual Fantasy, Modulation Chains, and Swarms of Thought-Controlled Babel Drones: Art and Digital Ontology in the Posthuman Era, in The Future of Humanity: Revisioning the Human in the Posthuman Age, Pavlina Radia, Sarah Fiona Winters, and Laurie Kruk, eds., Rowman and Littlefield, 2019. ISBN: 9781786609564

An Un-visceral Reality: Escher and the Virtual, in Escher x Nendo Between Two Worlds Catalogue, Cathy Leahy, ed., National Gallery of Victoria, 2018. ISBN: 9781925432534

Art Imitates the Digital, in Lumina Journal, Brazil, Vol.11 No.2, 2017

Documenting Digital Performance Artworks, in Documenting Performance: The Context and Processes of Digital Curation and Archiving, Toni Sant, ed., Bloomsbury, 2017, pp. 149-160.

Affect, People and Digital Social Networks, in Emotions, Technology, and Social Media (Sharon Y. Tettagh, ed.), Elsevier Academic Press, 2016, pp. 3-25.

An Aesthetics of Digital Virtual Environments, in New Opportunities for Artistic Practice in Virtual Worlds, IGI Global, 2015, pp. 3-25.

Being and Media: Digital Ontology After the Event of the End of Media, co-authored with Justin Clemens, in Fibreculture Journal 24, 2015.

Interference Wave: Data and Art, in Leonardo Electronic Almanac, Volume 20, Issue 2: Interference Strategies, 2014.

Affect and the Medium of Digital Data, in Fibreculture Journal 21, 2012.

The Mutli-User Virtual Environment As A Post-Convergent Environment, my PhD dissertation accompanying a series of creative practice works, 2010.

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